"It's not hard to see why there is so much buzz surrounding Laurence Fuller, His performance is excellent" - Film Review with Robert Mann

"An incredibly well-made piece of micro-narrative... Laurence Fuller drives the whole film" Can Toad Warrior Blog

"Laurence Fuller turns in an understated but intense performance in the lead role" - Stephen Street

"There are a lot of emotions set up during the first minute of the film. Each piece of information is conveyed in his actor's performance." Jay Mckinnon, The Athletic Nerd

"They've crafted 5 minutes that tops a lot of the 90 minute features I've had to sit through." Will, The Film Reel

"McCombe is undoubtedly aided by his lead actor, Laurence Fuller, who conveys a lot through controlled and restrained body language. There's a lot of ways to read the scene when it opens, and Fuller manages to keep it open-ended without seeming indecisive." - M0vie Wordpress

Official website

IMDB page

Trailer

Press Release 09/02/10 - Laurence Fuller's West End debut

Full list of reviews including;

"Laurence Fuller is a faultless Pisano" - Lucy Powell, Time Out (Critics choice and Show of the week) ****

"Special mention should be given to Laurence Fuller, whose crazed doctor Pisano will make your skin crawl” - Lalayn Baluch, The Stage

“A stand out performance for me was Laurence Fuller” - Jenni Rymer, The Public Reviews ****

“Laurence Fuller gives a willfully eccentric performance as the jailer Pisano: excitingly unlikely” - Dominik Maxwell, The Times

“The piece’s true madman Pisano – well realised by goosebump-inducing Laurence Fuller” - Jeremy Williams, Spoonfed ****

"Laurence Fuller’s ad-libbing simian doctor has taken over the asylum" - Neil Dowden, Music OMH ****

"Laurence Fuller shines in the lead role and it is easy to see why he is a much sought after young actor. Having attended the Method School of acting in the UK, Fuller has put together an impressive acting CV in both theatre and in short films. As well as acclaimed stage performances in the likes of Madness in Valencia, Fuller has also created his own film company Oil and is truly making a name for himself across the world – he has, to date, worked in three seperate continents. He is hoping to soon add a fourth with work in the United States." - Kieron Casey, Reel Loop 01/12/09

Click Here to read the interview

Press Page (with trailer)

Electronic Press Kitt 09

IMDB page

Press Release for ABC screening 26/05/10 - Laurence Fuller's Australian TV debut

Film INK article -"A powerful short film that explores the nature of desire, obsession and possession"

Reel Loop Interview "Laurence Fuller shines in the lead role"

Press Release for Deutscher Hackett launch 03/11/09 - The short film that's setting the art world alight

Eponine News

Laurence worked with theatre director Simon Evans (currently staff director at the Donmar Warehouse and The National Theatre) on the critically acclaimed shows Madness In Valencia at Trafalgar Studios in London's West End and The Misanthrope at the White Bear.

Simon graduated from University in 2006 with 8 directing, 2 writing an over 20 acting credits to his name. He continued to work as an actor through the Independent Talent Group (formerly ICM) and formed his own theatre company, Black and White Rainbow, which produced a program of three shows at the Edinburgh Fringe Festival in 2007. He moved to London in 2007 and set about running workshops for the National Theatre, working on script development for Brilliant Films and producing the InSite series, a programme of site-specific theatre and film showcase events, through Black and White Rainbow. He was chosen to direct one of seven new plays for the Old Vic 24 Hour Plays and went on to develop Pause to Wonder, a theatrical magic show, with the support of the Old Vic.

In 2009 he wrote and directed Who is Rachel, an online mini-series for Channel 4, while working as creative producer for Offwestend.com. He was asked to direct Edward Davenport's new play Hours 'til Autumn at the New End Theatre then again at the Riverside Studios and was then invited to direct Madness in Valencia at the White Bear in Kennington.

Madness in Valencia was TimeOut's Show of the Week and top of their Critic's Choice list. On the strength of these notices Simon was offered the chance to direct the UK premiere of Tony Harrison's new translation of The Misanthrope, again at the White Bear. That production earned Simon his second TimeOut No. 1 Critic's Choice.

Simon has recently begun work on Edward Davenport's next play, Firefly Heartbeat and has been offered a number of other projects in 2010. Madness in Valencia will be transferring to the West End in February, and Simon will be assisting Josie Rourke at The Bush Theatre later in the year.

CLICK HERE TO READ THE RECOMMENDATION

Zillah Bosworth-Coleman is the Artistic Director of Creative Reconnaissance. Together they worked on Laurence's chilling performance of the paralysed war correspondant Peter in Memories.

“An outstanding actor, with a powerful talent that explores characters in psychological depth.” - Zillah Coleman

Click Here to read the recommendation

Christopher Lyndon-Gee was nominated for Grammys in 1998 for Best Orchestral Performance for the groundbreaking complete works of Igor Markevitch (Marco Polo), in 2003 for the world première recording of George Rochberg’s Symphony No. 5 on Naxos American Classics, and again in 2007 for Hans Werner Henze’s Violin Concertos Nos. 1 & 3, with Peter Sheppard Skærved. In 2001-2002 recordings for Naxos of Arcana and other works by Varèse, with the Polish National Radio Symphony Orchestra received acclaimed notices worldwide, while The Gramophone, Fanfare, Classics Today and Penguin Guide to Compact Discs have all recognised his work, the last with numerous Rosettes and a Key Recordings listing. Australian critics’ organizations named him Artist of the Year and Best Opera Conductor, the latter for his conducting of the world première of Larry Sitsky’s The Golem at Sydney Opera House.

Also a widely performed composer, Lyndon-Gee was awarded a prestigious composition prize by the Onassis Foundation, Athens, in 2001. He has won the Adolf Spivakovsky Prize, the Sounds Australian Award (three times), and two MacDowell Fellowships.

Click here to read the recommendation

Peter Wilkins is a theatre critic for The Canberra Times and a theatre practitioner. Peter has been a close mentor to Laurence since he was 16. Working on such productions as Threepenny Opera together.

“Laurence possesses a passion that gives rise to inventive, imaginative and highly intelligent interpretation of character.” – Peter Wilkins

Click here to read the recommendation

'A multi-dimensional talent with a bold and adventurous future that he will see him grow, evolve and master his craft, if he doesn't get lazy or die' - Phil Nichol, award winning actor and comedian